Even by the admittedly kooky standards of Doctor Who, the adventures of the Third Doctor are remarkable for their idiosyncrasy. As portrayed by actor Jon Pertwee in the early 1970s, the Third Doctor spent much of his tenure stranded in Britain in a single time period, working alongside the military, rather than travelling across all of time and space.
That's the era revisited in the new Doctor Who: New Adventures With The Third Doctor series launching this week from writer Paul Cornell, artist Christopher Jones, and colorist Hi-Fi, with the Doctor trading in his bright blue Tardis for his bright yellow roadster, Bessie. Jones spoke to ComicsAlliance about working with Cornell, and his research as an artist, and shared an exclusive look at the art process from inks to colors.
Marvel released a bafflingly oblique teaser image on Tuesday, the words 'DEAD NO MORE' against a black background, prompting fans to speculate which of Marvel's heroes is next in line for a resurrection, even as they're debating which hero will die (for a while) in the pages of Civil War II.
Before any kind of consensus could be achieved, Marvel released a second teaser today, 'BEST BEWARE MY STING', against a black and yellow background. A quote from Shakespeare's Taming of the Shrew, the line and colors both suggest the character Wasp, aka Janet Van Dyne. But Janet already came back from the dead; surely the first teaser can't be about her? So what other theories do we have? Well... is it possible that Marvel is hinting at a relaunch of Slingers?
Marvel publisher Dan Buckley gave a three-part interview with comic industry blog ICv2 this week in which he discussed the company's performance in 2014 and its strategies for the year ahead. The interview ranged across digital sales, graphic novel sales, and the impact of the Marvel movies on the comics -- but of particular interest to ComicsAlliance were Buckley's comments on reaching a more diverse audience of new comics customers.
While acknowledging that Marvel and the industry at large has never done much consumer research, Buckley said the company has been "aggressive in trying a lot of diverse product over the last two years," as part of an initiative spearheaded by Editor-in-Chief Axel Alonso. According to Buckley, the results of that outreach have been very positive.
Now that the threat of Skynet destroying us all has been averted by an increasingly crappy series of Terminator movies (or maybe they're just disappointing us to death), a new technological threat to all life on Earth has emerged. In order to promote the forthcoming pic Avengers: Age Of Ultron, tech giant Samsung has joined forces with Marvel to put Ultron in all your smart devices. Yes, the word "smart" to describe technology has never been more insidious than it is now. Smart; scheming; devious.
We're less than a week away from the launch of Marvel's Star Wars line with the first issue of, hey, Star Wars, by Jason Aaron, John Cassaday, and Laura Martin, so Marvel has put out a couple of sneak peaks of the issue -- one lettered, one unlettered. We've helpfully brought them together so you can enjoy more of the story of fan favorite character Overseer Aggadeen and... the cast of Firefly, I think? I don't really know Star Wars; sorry.
Star Wars #1 is an officially in-continuity comic (for now, anyway!) that picks up directly after the end of Star Wars: Episode IV A New Hope, following the adventures of Luke Skywalker, Han Solo, Princess Leia, Cowardly Lion, Tin Man and Scarecrow in the wake of the destruction of the Death Star. Finally, a sequel to Star Wars: Episode IV A New Hope! I can't believe they've never done that before.
Agent Carter, Marvel's second live action TV show set in its cinematic shared universe, made its debut with a two-hour double-bill on ABC on Tuesday night, with Hayley Atwell reprising her role as spy Peggy Carter. Atwell's Carter debuted in the 2011 movie Captain America: The First Avenger, based on a character created by Stan Lee and Jack Kirby, and she's now the second character from the movies to spin off into her own show, following Phil Coulson (Clark Gregg) in Agents of SHIELD.
Agents of SHIELD is now on its second season, and trying to recover its energy after a largely awful first season. Agent Carter will run for only eight episodes across seven weeks, rather than a standard 20+ episode season -- a format arguably closer to what Marvel plans to do with its Netflix TV shows -- so it may be the better test of Marvel's TV ambitions. In Cartergraphy, I'll be recapping the show every week using my new 'S.S.R.' method, breaking it down into Strategic Review, Scientific Analysis, and Reserved Englishness.
Guardians Of The Galaxy just enjoyed a very successful weekend at movie theaters, taking home around $94m, far in excess of expectations. The movie also stands at 92% positive reviews on aggregator site Rotten Tomatoes, joining all previous Marvel Studios movies in receiving predominantly favorable notices.
Marvel Studios is doing very well. In six years and ten movies, it has avoided both critical and commercial disasters, and frustrated naysayers who hailed the demise of the superhero movie at every step. Marvel's rivals at Fox, Sony Columbia, and Warner Bros, have enjoyed commercial success as well -- but not with the acclaim, consistency, or proliferation of Marvel. So how does Marvel do it, and can they keep doing it?
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