Awards

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Damien Chazelle Wins Best Director for ‘La La Land’ at 2017 Oscars
Damien Chazelle Wins Best Director for ‘La La Land’ at 2017 Oscars
Damien Chazelle Wins Best Director for ‘La La Land’ at 2017 Oscars
Whether you love it, hate it, or are maintaining a neutral stance on the La La Land culture war, you’ve got to admit Damien Chazelle pulled off something pretty fantastic with his modern day ode to classic musicals. From the choreography to the film’s stunning color palette, it’s hard to deny that the filmmaker crafted one beautiful movie. With that in mind, plus the Academy’s penchant for honoring movies about Hollywood, it makes sense that Chazelle won the Oscar for Best Director on Sunday night.
Viola Davis Wins Her First Oscar for Best Supporting Actress
Viola Davis Wins Her First Oscar for Best Supporting Actress
Viola Davis Wins Her First Oscar for Best Supporting Actress
Believe it or not, Viola Davis just won her first Academy Award. The fact that Davis won for her tour-de-force performance in Fences is far from surprising, but the fact that it took Academy voters this long — the woman’s been working for 21 years and has been nominated three times — to give her the award that’s long had her name on it is pretty shocking.
Seth Meyers Spoofs Awards Season As a Sad White Guy in ‘Oscar Bait’
Seth Meyers Spoofs Awards Season As a Sad White Guy in ‘Oscar Bait’
Seth Meyers Spoofs Awards Season As a Sad White Guy in ‘Oscar Bait’
You know the movies. They’re the weepy dramas, often based on a true story, about an ailed male protagonist. Maybe they comment on race relations in one or two scenes, maybe a main character is afflicted with a fatal disease, or maybe a man is wrecked with guilt for an accident he caused. They’re Oscar bait; the movies made to jerk tears and woo the Academy.
2017 Oscar Predictions: The ScreenCrush Staff Picks the Winners
2017 Oscar Predictions: The ScreenCrush Staff Picks the Winners
2017 Oscar Predictions: The ScreenCrush Staff Picks the Winners
It’s that time of the year again where we must set aside our personal opinions and favorites to try and guess which movies the Academy will deem the most culturally significant. A lot had changed since our initial Oscar predictions last December. Manchester By the Sea is no longer a Best Picture frontrunner, a race dominated by La La Land with Moonlight shortly behind. The days of calling Natalie Portman a Best Actress shoe-in last fall feel like a distant dream, and Lion and Hacksaw Ridge might just lend this year’s Oscars some surprising upsets.

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