Another weekend, another Weekend Box Office Report! While it won’t surprise you to find out that Michael Bay’s latest episode of Rock ’Em Sock ’Em Robots won the weekend, the specifics of that win come with enough asterisks to make even Barry Bonds blush. It was a terrible weekend for Transformers: The Last Knight one on continent and a record-breaking opening on another, which just goes to show how confusing this whole box office thing can be at times. Here’s the projected numbers as of Sunday afternoon:
When you create a series of films as magical as the Pixar universe, you’re going to get your share of fans trying to puzzle your history out. That’s always been the case with movies like Toy Story and Monsters, Inc. Since each movie often features easter eggs that hint at the interconnected nature of each film, people have gone to great lengths to try and understand the elements of the movies not explicitly stated onscreen. Take, for instance, this past week’s video about the tragic story of Andy’s father in Toy Story. According to the host , Woody actually belonged to Andy’s father, who sadly passed away from complications due to polio before the first film. The video caught the internet by storm and was widely circulated over the weekend by most major entertainment sites.
Does anyone else think that Dwayne Johnson’s blockbuster movies are starting to blur together a little bit? Given that Johnson tends to play variations of the same character — the tough-as-nails and compassionate ex-military whatever — while things blow up around him, what matters most is the type of thing that’s blowing up. Sometimes they’re cars (The Fate of the Furious), sometimes parts of California (San Andreas), and sometimes monsters (Rampage). Don’t worry, though, because Johnson will really show off his range with his next film: this time, it’s a building that blows up. Oscar, please!
This is kind of a necessary evil of the film criticism industry: now that Edgar Wright has a new movie in theaters — Baby Driver is really fun! You should go see it! — it was only a matter of time before someone asked the director for clarification on his decision to leave Marvel’s Ant-Man. In hindsight, Wright was always something of an odd choice for a Marvel movie. A visionary and idiosyncratic filmmaker, Wright was probably always a bad meeting away from the fabled “creative differences” dissolution, and when he left the project in 2014, fans were upset but not exactly surprised. Therefore, someone was always going to ask Wright during a Baby Driver interview to explain his decision to leave the film.
According to census estimates, there are currently 325.3 million people in the United States, which means there has to be dozens — maybe even hundreds! — of people who remain blissfully unaware that a new Spider-Man movie is hitting theaters this summer. The rest of us, however, have lived through the past several months of production rumors, trailers, teasers, teaser trailers, toy reveals, interviews, commercials, specials, features, articles, social advertising, news items, and just about any other form of audio or visual media that Marvel could commercially or organically slap a Spider-Man: Homecoming logo on. In fact, we’ve reached that point in the hype cycle where most fans are completely exhausted with marketing. Can’t we just start talking about the movie itself?
It’s a pleasant Sunday afternoon in the world, which means it’s time for your weekend box office updates! While this was a disappointing weekend overall for a handful of new releases, there’s good news to be had: after a disappointing $144 million total gross last weekend, the box office bounced back to $187 million total over the past few days. That takes some of the pressure off Wonder Woman to, you know, save the summer blockbuster as we know it. Here’s the totals as of Sunday afternoon:
This has been a good weekend for Planet of the Apes fans. Not only did we get our first look at some of the early buzz for the final film in the trilogy — buzz that suggest that War for the Planet of the Apes might just be the best and bleakest movie in the series yet — we’ve also been treated to a special Father’s Day trailer that explores the universal truths of fathers, sons, and legacy. Sentient apes or human, we’re all just trying to leave behind a better world for our children.
It’s the moment you’ve all been waiting for: Deadpool 2 is officially underway! Even though we’ve spent more than a year analyzing and talking about Ryan Reynolds’ merc with a mouth, the success of the original Deadpool movie is still kinda hard to believe. A $58 million R-rated superhero movie that went on to gross $780 million worldwide? A comic book movie that broke the mold so thoroughly that now every major studio is openly courting the R-rated crowd? Deadpool was a phenomenon, and none of us can wait to see if Reynolds and company are capable of avoiding the sophomore slump.
With this past week’s news that Michelle Monaghan has joined the cast of Mission: Impossible 6, we’re now looking at a pretty awesome group of leading ladies for next year’s installment in the Mission: Impossible franchise. The Monaghan casting was both exciting and not particularly surprising; when writer-director Christopher McQuarrie announced a few unexpected returns to the cast for this film, Monaghan’s character seemed the most obvious piece of unfinished business in the film. This franchise has always attempted to build out continuity between films — loose though it may be — and bringing back Ethan Hunt’s ex-wife was the perfect way to add emotional gravitas to the spectacle.
For years now, America has been struggling with the allegations that Bill Cosby — once a beloved television father and comedian — may have used his position in Hollywood to commit a series of violent sexual assaults. For those unfamiliar with the timeline involved in the Cosby case, I would encourage you to check out ABC’s detailed recap of everything that led up to this past month’s trial, including the civil cases brought against the actor-comedian and the Hannibal Burgess joke that is widely regarded as the instigating event in bringing these accusations to the public. And today, as noted by Deadline, a Norristown, PA jury has forced the judge to declare a mistrial in Andrea Costand’s case against Cosby.
If you only look at the surface numbers, this was a pretty predictable week at the box office. Wonder Woman did well, The Mummy did not, and everything else shook out accordingly. That being said, there’s some pretty interesting narratives emerging in the how and why of this weekend’s box office report. Let’s take a look at the rankings as of Sunday afternoon and dive into some of the specifics:
While most fans walked away from Universal’s Fate of the Furious impressed by the movie’s use of New York City, it was the film’s use of Cuba that really opened the eyes of American audiences. Back in April, Variety sat down with Fate of the Furious director F. Gary Gray and discussed what it was like to be one of the first major studio films to be shot on location in Cuba. Gray recalled several logistical challenges — hotel rooms, location shoots, and the like — while also complimenting the people they had met on their trip. By all accounts, Fate of the Furious was to be the film that opened up the Cuban film market to the broader Hollywood community.
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