Reviews

Hunter Hayes' duet with Jason Mraz is his fifth single release from his self-titled debut album and its repackaging. But 'Everybody's Got Somebody But Me' still manages to show something new to those who haven't bought it. It's a change of pace from the heavy ballads and the more intense country-rocker 'I Want Crazy.' This is the most fun he's been since 'Storm Warning.'

Jason Michael Carroll pulls back the production to reveal a new sensitivity in his single 'Close Enough.' The singer has a unique way of taking a phrase and turning, twisting and shaping it to mean several different things within a three-minute song. It's a talent that's on display once again during this regret-filled ballad.

Luke Bryan plays it safe on 'Crash My Party,' his new album and the follow-up to the tremendously successful 'Tailgates and Tanlines.' With the exception of the infusion of hip-hop on two songs, there is little to differentiate the two projects.

'Don't Let Me Be Lonely,' the third single from the Band Perry's 'Pioneer' album, is thematically similar to their biggest hit, but few will confuse this song with 'If I Die Young.' The latest track may not be as instantly catchy, but it's every bit the sharp songwriting effort the cut from the trio's debut album was.

The Zac Brown Band's new single 'Sweet Annie' is another vocal and lyrical showcase for the singer. The collaborative spirit that defined them early on is missing, making the ensemble sound more like Zac Brown's band instead of the Zac Brown Band.

Austin Webb's soulful new ballad 'Slip on By' will catch you off guard if you let it, and that's not such a bad idea. Webb sings a familiar, but not overdone, lesson about appreciating every moment we have on this Earth.

'I Can't Change the World' is Brad Paisley's anthemic ballad from his 'Wheelhouse' album. As a vocalist, he rarely soars like he does on this sonically complex, but lyrically simple love song. His performance as a singer and guitarist actually overshadows the strength of the song.

The great mystery that sews intrigue at the root of 'The Civil Wars' is how two people who clearly don't get along can pretend with such conviction. The second album from this duo isn't tainted by disdain, contempt or ambivalence that hardens one's heart. In fact, it's more emotional than their Grammy-winning debut album. So clearly they're either brilliant actors, or they're in love.

Buying a full album from a new artist is something like a trust fall. Typically you've heard one or two songs, leaving nine or 10 question marks. Breathe easy putting down cash for 'Bring You Back,' the debut from Brett Eldredge. The Paris, Ill.-born singer will catch you.

It would have been foolish to expect anything less than an original from Jennifer Nettles' debut solo effort. 'That Girl' rides in that funky furrow Sugarland cut deep for so many years without sounding like the duo at all.

They don't come much easier to enjoy than Granger Smith. The Texas country singer's understated delivery is something of a trademark, and his latest single 'Silverado Bench Seat' doesn't stray from what fans know and love.

Kellie Pickler's new single 'Little Bit Gypsy' is a step back vocally, but not a step backward. There's no flaws in her performance, but her power is stifled when compared to her previous single.